Lucy Kerr’s Enigmatic Award-Winning Drama ‘FAMILY PORTRAIT’ Opens in NYC June 28 and Expands to Chicago + LA in July

Lucy Kerr‘s Family Portrait opens in NYC June 28 and expands to Chicago and Los Angeles in July from Factory 25. It will make its US Streaming Premiere Exclusively on Metrograph at Home Friday, July 5.

Here’s the film’s synopsis: “Family Portrait follows a sprawling family on a morning when they have planned a group picture. After the mother disappears and one of the daughters becomes increasingly anxious to find her and take the picture, the rest of the family appears to resist any attempt to gather. Initially presenting itself as a realistic portrayal of a family on an idle but hectic summer day, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition.”

FAMILY PORTRAIT stars a captivating Deragh Campbell (Kazik Radwanski’s ANNE AT 13,000 FT., Nathan Silver’s STINKING HEAVEN) and world premiered at the 2023 Locarno Film Festival in the Concorso Cineasti del presente section, the festival’s slate dedicated to discovering the cinema of tomorrow, where it took the Boccalino d’Oro for Best Director for Kerr. 

In addition to the film’s winning reception at Locarno, FAMILY PORTRAIT has received accolades from the Black Canvas Film Festival (Best Director), the Hainan Island International Film Festival (Best PictureBest Actress, and the Best Artistic Contribution), the Austin Film Society (Feature Film Grant), FIDLab (AirFrance Prize), and the New Horizon Award from the U.S. In Progress event in Wroclaw, Poland. 

Chris Galust (GIVE ME LIBERTY), Katie Folger (DAY 5), Rachel Alig (FIRST BLUSH), Robert Salas (CASSANDRO), and Silvana Jakich (WHAT HAPPENED AT 625 RIVER ROAD?) round out the cast alongside Campbell. The film is produced by Megan Pickrell and Frederic Winkler, co-produced by Rob Rice, and executive produced by Kerr for Conjuring Productions, her production banner, and Brittany ReeberLidia Nikonova lensed, Karlis Bergs edited, the sound department was comprised of Andrew Siedenburg and Nikolay Antonov, and production design was done by Tim Nicholas

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